Belief Engine

Belief Engine is Mike Monroe and Scott McKie, and serves as the vessel for their individual projects and collaborations.
Handy Art Reference Tool
Belief Engine
αž‘αž·αž‰αž“αŸ…αž€αŸ’αž“αž»αž„αž€αž˜αŸ’αž˜αžœαž·αž’αžΈ
αžœαž·αž…αž·αžαŸ’αžšαž€αžšαž…αž„αŸ‹αž”αŸ’αžšαžΎαž―αž€αžŸαžΆαžšαž™αŸ„αž„αžŸαž˜αžšαž˜αŸ’αž™αž“αŸ…αž–αŸαž›αž’αŸ’αžœαžΎαžŠαŸ†αžŽαžΎαžšαž€αž˜αŸ’αž˜αžœαž·αž’αžΈαž“αŸαŸ‡αž‚αžΊαžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž’αŸ’αž“αž€!
4.5
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 4.31αž–αžΆαž“αŸ‹
50Β αž–αžΆαž“αŸ‹+
αž€αžΆαžšαž‘αžΆαž‰αž™αž€
αž…αŸ†αžŽαžΆαžαŸ‹αžαŸ’αž“αžΆαž€αŸ‹αžαŸ’αž›αžΉαž˜αžŸαžΆαžš
PEGI 12
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžšαžΌαž”αž—αžΆαž–β€‹β€‹αžšαžΌαž”αžαžβ€‹αž’αŸαž€αŸ’αžšαž„αŸ‹
αžœαž·αž…αž·αžαŸ’αžšαž€αžšαž…αž„αŸ‹αž”αŸ’αžšαžΎαž―αž€αžŸαžΆαžšαž™αŸ„αž„αžŸαž˜αžšαž˜αŸ’αž™αž“αŸ…αž–αŸαž›αž’αŸ’αžœαžΎαžŠαŸ†αžŽαžΎαžšαž€αž˜αŸ’αž˜αžœαž·αž’αžΈαž“αŸαŸ‡αž‚αžΊαžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž’αŸ’αž“αž€!
αž…αŸ’αžšαžΎαž“αž‘αŸ€αžαžŠαŸ„αž™ Belief Engine

αž–αŸαžαŸŒαž˜αžΆαž“β€‹αž”αž“αŸ’αžαŸ‚αž˜