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She had been dead now for four days and I had become rich. Unimaginably rich. Blanche de Rigny has always considered herself the black sheep of the family. And a black sheep on crutches at that. But it turns out her family tree has branches she didn’t even know existed. And many of them are rotten to the core. As Blanche learns more about the legacy left by her wealthy Parisian ancestors, she decides a little family tree pruning might be in order. But great wealth also brings great responsibility – a form of richesse oblige, perhaps – and Blanche has a plan to use her inheritance to cure the world of its ills. Spanning two centuries, from Paris on the eve of the Franco-Prussian War to the modern day, this unforgettable family saga lays bare the persistent and poisonous injustice of inequality. In her trademark razor-sharp style, Hannelore Cayre again delivers the sardonic humour and devilish creativity that made The Godmother an international bestseller.
關於作者
Hannelore Cayre is an award-winning French novelist, screenwriter and director, and a practising criminal lawyer. Her works include Legal Aid, Masterpieces and Like It Is in the Movies. She has directed several short films and the adaptation of Commis d'office (Legal Aid) is her first feature-length film. She lives in Paris.
Sofia Greenacre is a Swedish-English actress, comedian and narrator. Her passions are contemporary theatre, screen work, devised work and improvisation with complex female characters. When not acting, Sofia performs stand-up comedy and works for Guinness World Records as a freelance adjudicator. Some of her stage roles include the faerie queen in A Midsummer Night’s Dream and Alice in Villain, Interrupted.
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