Web of Worlds

· Reality Benders āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļĨāđˆāļĄāļ—āļĩāđˆ 4 · Tantor Media Inc · āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Rudy Sanda
āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡
12 āļŠāļĄ. 49 āļ™āļēāļ—āļĩ
āļ‰āļšāļąāļšāļŠāļĄāļšāļđāļĢāļ“āđŒ
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
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āđ€āļžāļīāđˆāļĄ

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āđ€āļĨāđˆāļĄāļ™āļĩāđ‰

Ceasefires have one big downside: they eventually come to an end. And when they do, once again game nodes are set ablaze, and platoons of Dark Faction soldiers threaten our customary world with destruction. The enemy has grown stronger and more numerous. To make matters worse, they also got their hands on even deadlier weaponry. They have learned painful lessons from previous encounters and adjusted their tactics accordingly. What's more, the vast hordes of enemies are led by the greatest strategist of modern times, and his mage advisors can see all possible futures so they always know just what to do.



How can our world possibly stand up against such an enemy? Our only hope is the bravery and tenacity of our best fighters, those who'd rather die than surrender. Well, that and a starship captained by one lone mage.

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđāļ•āđˆāļ‡

Michael Atamanov is a science fiction and fantasy writer who was born in Grozny, Chechnya. A graduate of Moscow University, he has held a variety of different jobs, including moonlighting in chemical labs, loading trucks, translating technical articles, and working as a software installer. Rudy Sanda is a versatile actor, singer, voice-over artist, and fight choreographer. He has appeared on stage and screen in the United States and England, including productions at Laguna Playhouse, Ivoryton Playhouse, and Ocean State Theatre. Rudy holds a BFA in acting from the University of Rhode Island.

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ™āļĩāđ‰

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āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŸāļąāļ‡

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āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāļ‹āļ·āđ‰āļ­āļˆāļēāļ Google Play āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļšāļ™āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡āļ„āļļāļ“

āļ­āđˆāļēāļ™āļ‹āļĩāļĢāļĩāļŠāđŒāļ™āļĩāđ‰āļ•āđˆāļ­

āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ Michael Atamanov

āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļ™