Ali Pacha
Apr 2014 · Simon and Schuster
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In this seventh volume of his Celebrated Crimes, Dumas tells the three tales: of the brutal excesses of Ali Pacha; the tale of the Countess of Saint Geran;and of Murat, whose courage became a legend in the days of the French revolution. Few men have understood themselves better or been on better terms with the orbit of their existence than Ali Pacha, and as the personality of an individual is all the more striking, in proportion as it reflects the manners and ideas of the time and country in which he has lived, so the figure of Ali Pacha stands out, if not one of the most brilliant, at least one of the most singular in contemporary history.
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Autoren-Profil
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
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