Blue Feather
Jun 2015 · Hachette UK
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246
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Über dieses E-Book
There's a myth in Esperance that's been around for years, apparently going as far back as the arrival of the first Europeans. Locals think there's a huge bird, big enough to carry away adult humans . . .
Blue Feather is a stunningly crafted mystery from one of Australia's most awarded writers, Gary Crew.
Recurring rumours of attacks by a giant raptor lead Greg Muir to seek the truth behind the bird's existence. Is it big enough to bring down a light plane? Can it carry away human beings in its talons? Is it responsible for the mutilation of a hang-glider?
A quest for a creature as fearful as it is elusive . . . Is the story of the huge bird only a myth, or is it reality? And if it is a reality, what part will it play in shaping the lives of those who search for it?
'beautifully crafted novel . . . Fully satisfying' - Herald Sun
Blue Feather is a stunningly crafted mystery from one of Australia's most awarded writers, Gary Crew.
Recurring rumours of attacks by a giant raptor lead Greg Muir to seek the truth behind the bird's existence. Is it big enough to bring down a light plane? Can it carry away human beings in its talons? Is it responsible for the mutilation of a hang-glider?
A quest for a creature as fearful as it is elusive . . . Is the story of the huge bird only a myth, or is it reality? And if it is a reality, what part will it play in shaping the lives of those who search for it?
'beautifully crafted novel . . . Fully satisfying' - Herald Sun
Autoren-Profil
GARY CREW is Professor of Creative Writing at the University of the Sunshine Coast in Queensland. He has won the Children's Book Council of Australia's Book of the Year four times and his readers have come to expect shadowy, surprising, incredible stories that must be read, and read again. STEVEN WOOLMAN (1969-2004) completed a degree in Design and Illustration at the University of South Australia in 1990 and was always fascinated by bizarre fantasy. For the illustrations in The Watertower, his fifth published book, he used a combination of acrylic paint and chalk and pencil on black paper.
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