Burnt Shadows
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'A formidable arching tale about loss and foreignness' - Financial Times
'Powerful, epic yet skilfully controlled ... Shamsie's voice is clear and compelling, with a welcome sparseness' - Guardian
'Completely authentic, complex, and breath-stopping' - Emma Thompson
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SHORTLISTED FOR THE ORANGE PRIZE
BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION
August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. She is twenty-one and on the verge of marrying Konrad Weiss. In a split second, the world turns whiteIn the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost.
In search of new beginnings, Hiroko travels to Delhi to find Konrad's relatives and falls in love with their employee, Sajjad Ashraf. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history â personal, political â are cast over the entwined worlds of different families as they are transported from Pakistan to New York, and in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11.
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'Shamsie achieves the near impossibility of a truly intimate epic tale ... I challenge anyone to put this book down lightly' - Shami Chakrabarti, Observer, Books of the Year
'A giant of novel ... Beautifully realised' - Independent
'A formidable arching tale about loss and foreignness' - Financial Times
'Powerful, epic yet skilfully controlled ... Shamsie's voice is clear and compelling, with a welcome sparseness' - Guardian
'Completely authentic, complex, and breath-stopping' - Emma Thompson
_______________
SHORTLISTED FOR THE ORANGE PRIZE
BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION
August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. She is twenty-one and on the verge of marrying Konrad Weiss. In a split second, the world turns whiteIn the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost.
In search of new beginnings, Hiroko travels to Delhi to find Konrad's relatives and falls in love with their employee, Sajjad Ashraf. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history â personal, political â are cast over the entwined worlds of different families as they are transported from Pakistan to New York, and in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11.
_______________
'Shamsie achieves the near impossibility of a truly intimate epic tale ... I challenge anyone to put this book down lightly' - Shami Chakrabarti, Observer, Books of the Year
'A giant of novel ... Beautifully realised' - Independent
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Kamila Shamsie is the author of six novels: In the City by the Sea; Kartography (both shortlisted for the John Llewellyn Rhys Prize); Salt and Saffron; Broken Verses; Burnt Shadows (shortlisted for the Orange Prize for Fiction) and, most recently, A God in Every Stone, which was shortlisted for the Baileys Prize, the Walter Scott Prize for Historical Fiction and the DSC Prize for South Asian Literature. Three of her novels have received awards from Pakistan's Academy of Letters. Kamila Shamsie is a Fellow of the Royal Society of Literature and in 2013 was named a Granta Best of Young British Novelist. She grew up in Karachi and now lives in London.
@kamilashamsie
@kamilashamsie
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