Working with an eclectic mix of found imagery—including magazine ads, home movies, contact sheets, pornography, and comic books—along with layered soundscapes, Klahr’s characters drift through fragmented times and spaces, searching for connection and an elusive sense of self.
Despite the allure of vivid pop culture references, Klahr’s films resist easy interpretation. His elliptical, dream-like narratives challenge viewers, creating spaces where meaning remains fluid and unresolved. Yet this ambiguity is intentional—Klahr embraces the uncertainty between his work and its audience, inviting exploration over resolution.
In Dreaming a Way (of) Life: The Films of Lewis Klahr, award-winning writer Chris Robinson (The Animation Pimp, Unsung Heroes of Animation, Earmarked for Collision) offers the first full-length study of this prolific and influential collage animator. Through insightful analysis, Robinson unveils the depth and complexity of Klahr’s artistic vision, guiding readers into the magic and mystery of his cinematic universe.
Key Features:
Chris Robinson is a Canadian writer and the Artistic Director of the Ottawa International Animation Festival (OIAF). A leading figure in the animation world, Robinson has received several prestigious honors, including the Animafest Zagreb Award for Outstanding Contribution to Animation Studies (2020) and the Prix René Jodoin (2022) for his contributions to Canadian animation. Widely regarded as "one of the most stylistically original and provocative experts in the history of animation," Robinson’s influence extends across writing, curation, and film.
Robinson first garnered attention through his eclectic and influential magazine column, Animation Pimp, which was later adapted into a book of the same name. Beyond his contributions as a critic and historian, Robinson co-wrote the award-winning animated short Lipsett Diaries (2010), directed by Theodore Ushev. More recently, he collaborated with German artist Andreas Hykade on an illustrated novel titled My Balls Are Killing Me.