Cold Case Reunion
Π°Π²Π³ 2011. Β· Native Country 2. ΠΊΡΠΈΠ³Π° Β· Harlequin
Π-ΠΊΡΠΈΠ³Π°
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Π‘ΡΡΠ°Π½ΠΈΡΠ°
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ΠΡΠΏΡΡΠ°Π²Π° ΡΡΠ»ΠΎΠ²Π΅
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reportΠΡΠ΅Π½Π΅ ΠΈ ΡΠ΅ΡΠ΅Π½Π·ΠΈΡΠ΅ Π½ΠΈΡΡ Π²Π΅ΡΠΈΡΠΈΠΊΠΎΠ²Π°Π½Π΅ Β Π‘Π°Π·Π½Π°ΡΡΠ΅ Π²ΠΈΡΠ΅
Π ΠΎΠ²ΠΎΡ Π΅-ΠΊΡΠΈΠ·ΠΈ
A passion that's anything but coldβ¦
Fifteen years ago, Mya Jonson thought her life had ended. Pregnant and alone, she found strength in her people and the beauty of the Pacific Coast reservation. Now her lover has returned, chasing a killer, and she doesn't dare trust him.
For Angelo Tucker, every memory is proof of his failings. Not strong enough to lead the tribe, not smart enough to catch his brother's killerβ¦ Coming back was the last thing he wanted. Especially when he sees Myaβand feels a passion he'd long since set aside. But when a fellow FBI agent is murdered and Mya's life is in danger, Angelo knows he must track the killer whatever the cost.or risk losing Mya foreverβ¦
Fifteen years ago, Mya Jonson thought her life had ended. Pregnant and alone, she found strength in her people and the beauty of the Pacific Coast reservation. Now her lover has returned, chasing a killer, and she doesn't dare trust him.
For Angelo Tucker, every memory is proof of his failings. Not strong enough to lead the tribe, not smart enough to catch his brother's killerβ¦ Coming back was the last thing he wanted. Especially when he sees Myaβand feels a passion he'd long since set aside. But when a fellow FBI agent is murdered and Mya's life is in danger, Angelo knows he must track the killer whatever the cost.or risk losing Mya foreverβ¦
Π Π°ΡΡΠΎΡΡ
Kimberly Van Meter started her writing career at the age of sixteen when she finished her first novel, typing late nights and early mornings, on her motherβs old portable typewriter. She received The Call in March 2006 with Harlequin Superromance and hasn't looked back since. She currently writes for Harlequin Romantic Suspense.Kimberly and her three children make their home in the Central Valley of California.
ΠΡΠ΅Π½ΠΈΡΠ΅ ΠΎΠ²Ρ Π΅-ΠΊΡΠΈΠ³Ρ
ΠΠ°Π²ΠΈΡΠ΅ Π½Π°ΠΌ ΡΠ²ΠΎΡΠ΅ ΠΌΠΈΡΡΠ΅ΡΠ΅.
ΠΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡΠ΅ ΠΎ ΡΠΈΡΠ°ΡΡ
ΠΠ°ΠΌΠ΅ΡΠ½ΠΈ ΡΠ΅Π»Π΅ΡΠΎΠ½ΠΈ ΠΈ ΡΠ°Π±Π»Π΅ΡΠΈ
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Π-ΡΠΈΡΠ°ΡΠΈ ΠΈ Π΄ΡΡΠ³ΠΈ ΡΡΠ΅ΡΠ°ΡΠΈ
ΠΠ° Π±ΠΈΡΡΠ΅ ΡΠΈΡΠ°Π»ΠΈ Π½Π° ΡΡΠ΅ΡΠ°ΡΠΈΠΌΠ° ΠΊΠΎΡΠ΅ ΠΊΠΎΡΠΈΡΡΠ΅ Π΅-ΠΌΠ°ΡΡΠΈΠ»ΠΎ, ΠΊΠ°ΠΎ ΡΡΠΎ ΡΡ Kobo Π΅-ΡΠΈΡΠ°ΡΠΈ, ΡΡΠ΅Π±Π° Π΄Π° ΠΏΡΠ΅ΡΠ·ΠΌΠ΅ΡΠ΅ ΡΠ°ΡΠ» ΠΈ ΠΏΡΠ΅Π½Π΅ΡΠ΅ΡΠ΅ Π³Π° Π½Π° ΡΡΠ΅ΡΠ°Ρ. ΠΡΠ°ΡΠΈΡΠ΅ Π΄Π΅ΡΠ°ΡΠ½Π° ΡΠΏΡΡΡΡΠ²Π° ΠΈΠ· ΡΠ΅Π½ΡΡΠ° Π·Π° ΠΏΠΎΠΌΠΎΡ Π΄Π° Π±ΠΈΡΡΠ΅ ΠΏΡΠ΅Π½Π΅Π»ΠΈ ΡΠ°ΡΠ»ΠΎΠ²Π΅ Ρ ΠΏΠΎΠ΄ΡΠΆΠ°Π½Π΅ Π΅-ΡΠΈΡΠ°ΡΠ΅.
