Specifically, these essays examine whether and how the filmmaking styles and themes of New Queer Cinema have been mainstreamed—rendered familiar as points of interest in popular culture of the 21st century, challenging a queer-phobic cultural climate, and providing an incisive set of visual representations that can help inform continuing debates over queerness in public culture. For instance, what do we make of the burgeoning number of queer stories that are circulating not just in arthouses but in mainstream media? How much of a transformation in our collective sensibilities does this trend represent, and will it carry us toward a cultural landscape where identity is commonly understood and valued as multiple, fluid, and performative? While the editors of this collection find there is significant evidence that New Queer Cinema has achieved success in forging greater mainstream acceptance of queer perspectives in cinema and everyday culture, the essays we present offer a variety of voices, a timely set of observations on queer images in film, television, and popular culture.
David M. Jones (PhD) is an Associate Professor of African American Literature and Women’s Studies at the University of Wisconsin at Eau Claire and is currently serving as Faculty Fellow for the University Honors Program. His scholarship interests include social movements in American cultural history, literary regionalism, and American popular music. Dr. Jones has published essays on gender identity in the civil rights movement, musician Etta James, and blues music in postmodern culture, and he has produced and hosted programs on popular music and Wisconsin culture for Wisconsin Public Radio. Dr. Jones is also a professional musician.