Writers often expand or contract spaces around their characters for dramatic effect, character building, and even thematic purposes. Marie de France used expanded spaces for adventure and travel and contracted spaces first for romance, and then for spiritual devotion. Chaucer used expanded spaces for adventure, pilgrimage, and danger and contracted spaces for conviviality and storytelling. Dante and Milton created expansive cosmologies but focused on small spaces for both suffering and incredible spiritual achievement. This study of literary spatiality yields fascinating results, reflects useful techniques for reading, and reminds us of the value of all sorts of different approaches to analysis and artistic enjoyment.