Elements of Newton's Philosophy

· The Collected Works of Voltaire Libro 14 · Marchen Press
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Voltaire’s Éléments de la philosophie de Newton (1738) was a popular exposition of Newtonian physics aimed at general readers. By this time Voltaire had fully embraced Newton’s science, and with the aid of his companion Émilie du Châtelet (the accomplished translator of Newton’s Principia), he explained complex ideas in clear, illustrated prose. The book details Newton’s theories of light and color (optics) and of universal gravitation, complete with diagrams and examples, often contrasting them with the older Cartesian view. Voltaire took five years to master these concepts so he could “put them within everyone’s reach,” as one historian notes. He discusses Newton’s experiments with prisms and the law of gravitation, and he emphasizes the empirical approach (“experimental use of reason”) that Newton represents. The work also credits other English thinkers like Locke and Boyle as influences. Because it was written for a lay audience, Voltaire omits heavy mathematics and instead uses analogies and imagery – for example, likening the universe to a clockwork governed by mathematical laws. The overall effect is an enthusiastic presentation of modern science: Voltaire declares that the new Newtonian worldview replaced the old religious explanations of the cosmos and gave intellectuals “ideological weapons” against superstition.

This modern Critical Reader’s Edition includes an illuminating afterword tracing Voltaire’s intellectual relationships with Enlightenment thinkers and philosophers (including Locke, Diderot, Rousseau and Newton), containing unique research into his influences and economic attachments, a comprehensive timeline of his life and works, a glossary of Enlightenment terminology, and a detailed index of all of Voltaire’s writings. This unique professional translation renders Voltaire’s sharp, satirical prose into modern language to preserve the original clarity and movement of the text. Combined with the scholarly amplifying material, this edition is a groundbreaking exploration of Voltaire’s classic works and his enduring artistic and philosophical influence, and influence on modern Protestant-Atheistic Theology.

Published by Étienne Ledet in Amsterdam (outside the jurisdiction of French censors) and dedicated to King Frederick the Great of Prussia, the Éléments achieved immediate success. Its full French title was Éléments de la philosophie de Newton, mis à la portée de tout le monde (“Elements of Newton’s Philosophy, Made Accessible to Everyone”). The book came out of Voltaire’s time in Cirey and Berlin (1736–37), when he conducted experiments with Du Châtelet and gathered instruments to test Newtonian optics. The 1738 edition was richly illustrated with engravings of prisms, telescopes, and other apparatus. Because it appeared well after the Lettres philosophiques, authorities tolerated it; in fact, it was lauded by many.

The scientific salon at Cirey and the Prussian court also helped spread its reputation. In subsequent decades it was translated into other languages. Above all, its appearance in the late 1730s signifies a turning point in Voltaire’s career: as one source notes, it “consacres, with the Lettres philosophiques of 1733, a turning point” from literary to scientific-philosophical writing. Voltaire himself later acknowledged Du Châtelet’s role (“Minerva dictated, and I wrote”), underscoring the collaborative effort behind this landmark text.

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Voltaire (1694-1778), born François-Marie Arouet, was a towering figure in the European Enlightenment, renowned for his wit, satirical genius, and fierce advocacy of civil liberties, including freedom of religion and free trade. Born on November 21, 1694, in Paris, Voltaire was educated by the Jesuits at the Collège Louis-le-Grand, where he demonstrated an early talent in literature and theater. Despite a brief stint studying law, he devoted himself to writing, rapidly gaining fame for his sharp wit and eloquence. Voltaire's literary career was marked by numerous conflicts with French authorities, leading to periods of imprisonment and exile. His most famous stay at the Bastille prison was due to his satirical verse, which mocked the French Regent. This propensity for critique often saw him in conflict with the establishment, but it also earned him a reputation as a champion of the oppressed and a critic of religious and political dogma, including the Atheistic dogmatism of the French Revolution.

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