The Collected Poems of Emily Dickinson
Jan 2016 · First Avenue Editions ™
Ebook
330
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About this ebook
This collection of Emily Dickinson's work contains 444 of the nearly 1,800 poems that the prolific yet reclusive American poet privately penned during her lifetime. Although her bold and non-traditional writing style met with mixed reviews when first published, Dickinson is now considered one of America's greatest poets. Included here are such famous poems as "Because I could not stop for Death", "I'm nobody! Who are you?", and "Hope is the thing with feathers". Themes of love, loss, death, and immortality imbue Dickinson's work with a timeless quality; her unconventional poetry continues to provide insight into the human condition. This is an unabridged compilation of three series of Dickinson's poetry edited and published by her friends after her death—the first series in 1890, the second in 1891, and the third in 1896.
About the author
Emily Dickinson was born in Amherst, Massachusetts on December 10, 1830. Although one of America's most acclaimed poets, the bulk of her work was not published until well after her death on May 15, 1886. The few poems published in her lifetime were not received with any great fanfare. After her death, Dickinson's sister Lavinia found over 1,700 poems Emily had written and stashed away in a drawer -- the accumulation of a life's obsession with words. Critics have agreed that Dickinson's poetry was well ahead of its time. Today she is considered one of the best poets of the English language. Except for a year spent at Mount Holyoke Female Seminary in South Hadley, Dickinson spent her entire life in the family home in Amherst, Massachusetts. She never married and began to withdraw from society, eventually becoming a recluse. Dickinson's poetry engages the reader and requires his or her participation. Full of highly charged metaphors, her free verse and choice of words are best understood when read aloud. Dickinson's punctuation and capitalization, not orthodox by Victorian standards and called "spasmodic" by her critics, give greater emphasis to her meanings.
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