Rossini: La Gazza Ladra Overture – Bass Clarinet Part for Clarinet Quintet (Advanced Level): Bb Bass Clarinet Part from the Quintet Transcription by Enrico Zullino – A Foundational Voice in an Operatic Chamber Arrangement
Apr 2024 · Glissato Edizioni Musicali
Ebook
21
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About this ebook
This eBook includes the Bb Bass Clarinet part from La gazza ladra (The Thieving Magpie), the iconic overture by Gioacchino Rossini, transcribed for clarinet quintet by Enrico Zullino. This part is designed for advanced-level players and plays a crucial structural and harmonic role in the ensemble.
The full transcription is scored for:
This edition also contains an informative introductory page presented in seven languages: English, French, German, Italian, Spanish, Portuguese, and Polish. This multilingual background offers performers valuable insights into the work’s context and its adaptation.
The Bass Clarinet part is part of a broader publication series, which includes the complete score and all other instrumental parts. An audio demo of the full arrangement is available at www.glissato.it, providing a helpful reference for rehearsal and performance.
This digital edition is ideal for bass clarinetists looking to expand their operatic and chamber repertoire, while contributing depth and resonance to a technically and musically rewarding ensemble work.
The full transcription is scored for:
- Eb Piccolo Clarinet
- Bb Clarinets 1, 2, and 3
- Bb Bass Clarinet
This edition also contains an informative introductory page presented in seven languages: English, French, German, Italian, Spanish, Portuguese, and Polish. This multilingual background offers performers valuable insights into the work’s context and its adaptation.
The Bass Clarinet part is part of a broader publication series, which includes the complete score and all other instrumental parts. An audio demo of the full arrangement is available at www.glissato.it, providing a helpful reference for rehearsal and performance.
This digital edition is ideal for bass clarinetists looking to expand their operatic and chamber repertoire, while contributing depth and resonance to a technically and musically rewarding ensemble work.
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