HELL INN CHAPTER 18
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What is this? Zheng Jian picked up the diary, grabbed Zheng Dahu's collar, and said, What did you draw?
Zheng Dahu only glanced at it, turned around, and casually said, Did you draw it when you were little? Is there anything wrong with that?
Where did you draw this? Why did you draw this weird image? Zheng Jian threw the diary over, angrily scolding, Answer me
Dad is so annoying Zheng Dahu angrily turned around and shouted, I drew it when I was in middle school. Once, I saw a painting like this on the fifth floor staircase, so I casually drew it down.
On the fifth floor staircase?
That's right It was an oil painting covered with a cloth. I happened to pull it out when I passed by, and felt it was interesting, so I drew it again. Is there a problem?
Autoren-Profil
Anh Bar Lang is the pen name of a famous Vietnamese author, known for his significant contributions to the writing and translation of foreign stories. With a passion for literature and a deep understanding of different cultures, Anh Bar Lang has brought Vietnamese readers unique, emotional and humane stories from all over the world.
The author specializes in writing and translating a variety of story genres, from fairy tales, fantasy, to historical and adventure novels, with a smooth and engaging writing style. Anh Bar Lang's works not only retain the original spirit of the original stories but are also conveyed in a close, suitable way for the tastes of Vietnamese readers. The stories chosen by the author often have profound educational value, arousing imagination and sympathy, while opening the door for readers to explore diverse cultures.
In addition, Anh Bar Lang is also loved for his vivid storytelling ability and creative approach in introducing foreign works. The author does not simply translate but also breathes life into each page, helping readers feel the sophistication and uniqueness of each story. With his contributions, Anh Bar Lang has become a familiar name in the hearts of readers who love foreign literature in Vietnam.
