Processes of Transposition: German Literature and Film
Hermann Rasche
Jan 2007 · Amsterdamer Beiträge zur neueren Germanistik Book 63 · Rodopi
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Preliminary material /Editors Processes of Transposition -- List of Contributors /Editors Processes of Transposition -- Acknowledgements /Editors Processes of Transposition -- Introduction /Christiane Schönfeld -- Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul? /Osman Durrani -- The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O..." to Christoph Stark's Julietta /Ricarda Schmidt -- "Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut /Siobhán Donovan -- Reflections on the Literary Antecedents of Murnau's Tabu /Hugh Ridley -- Perceptions of the Self as the Other: Double-Visions in Literature and Film /Gerald Bär -- "Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue Engel /Gilbert Carr -- German Film Adaptations of Jewish Characters in Thomas Mann /Yahya Elsaghe -- Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann /Birgit Maier-Katkin -- Two Foxes of Glenarvon /Eoin Bourke -- Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff's Die Blechtrommel /Thomas Martinec -- "Their Adam's Apple Put Them on Screen": Hansjürgen Pohland's Cat and Mouse and the Narrative of the Male Body /Carrie Smith-Prei -- From Bestseller to Failure? Heinrich Böll's Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire) /Gisela Holfter -- A German Poet at the Movies: Rolf Dieter Brinkmann /Jan Röhnert -- "Literatur und Linse": Enzensberger Goes to the Movies /Alasdair King -- Thomas Brussig's Ostalgie in Print and on Celluloid /Muriel Cormican -- "But Somehow it Was Only Television": West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations /Claudia Gremler -- Sex, Violence and Schubert. Michael Haneke's La Pianiste and Elfriede Jelinek's Die Klavierspielerin /Juliet Wigmore -- Intermediality and the Intercultural Dimension in Karin Brandauer's Film Sidonie based on Erich Hackl's Abschied von Sidonie /Susan Tebbutt -- Robert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier /Markus Oliver Spitz -- Transposition or Translation? Fiction to Film in Doris Dörrie's Nobook-body Loves Me and Am I Beautiful? /Paul M. Malone -- Taking Doris Dörrie Seriously: Literature, Film, Gender /Peter M. McIsaac -- Adaptation as a Process of Interpretation: Nowhere in Africa - From Stefanie Zweig to Caroline Link /Patrice Djoufack -- Alexander Kluge: Utopian Cinema /Rod Stoneman.
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