Human Days: A Mary MacLane Reader
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Mary MacLane (1881-1929) was the first of the modern media personalities: a pioneer in self-revelation, in defiance of established rules, in living on her own terms - and writing it in brilliant style. At age 19 she burst upon the world out of Butte, Montana with a journal of private thoughts and longings that incited national then international attention. In the books and newspaper articles that followed she evolved a completely new, individual voice decades ahead of its time. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and was hotly discussed by everyday people - and Americaโs biggest writers. Yet despite sparking film, stage, and music projects today - and being endlessly quoted on the Internet - the writer behind the writing has remained unknown until now.
HUMAN DAYS: A MARY MACLANE READER features the complete texts of all her books (with expurgated passages restored), her colorful newspaper articles (much never before reprinted), an intriguing 1902 interview, the first viewing ever of her striking personal letters, illuminating introductions to each era in her life, and comprehensive notes that open the door to her influences and the age she came from and impacted so profoundly. A foreword from actress Bojana Novakovic provides a contemporary artistโs creative appreciation of the authorโs still-powerful effect upon readers.
โMary MacLane comes off the page quivering with life. Moving.โ - London Times โShe reminds us of the power of personal narrative, honestly told.โ - The Atlantic โIn a pre-soundbite age she already knew how to draw blood in one direct sentence.โ - The Awl โShe had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.โ - The New Yorker โOne of the most fascinatingly self-involved personalities of the 20th century.โ - The Age โA girl wonder.โ - Harperโs โConfessional journalists have people like Mary MacLane to thank.โ - Flavorwire โHer diaries ignited a national uproar, ushering in a new era for womenโs voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.โ - The Atlantic โFiery frankness made her a pioneer.โ - Time Out Chicago โHer poetry is one of extremes: lust for happiness, despair for life.โ - Hairy Dog Review โRiveting.โ - N.H. Public Radio โI Await The Devilโs Coming is a small masterpiece, full of camp and swagger.โ - Parul Sehgal, NPR โPioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.โ - Boston Globe โA pioneering feminist - a sensation.โ - Feminist Bookstore News โFirst of the self-expressionists, and the first of the Flappers.โ - Chicagoan
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MacLane was a very popular author for her time, scandalizing the populace with her shocking bestselling first memoir and to a lesser extent her two following books. She was considered wild and uncontrolled, a reputation she nurtured, and was openly bisexual as well as a vocal feminist. In her writings, she compared herself to another frank young memoirist, Marie Bashkirtseff, who died a few years after MacLane was born, and H. L. Mencken called her "the Butte Bashkirtseff."
=Early life and family=
MacLane was born in Winnipeg, Manitoba, Canada in 1881, but her family moved to the Red River area of Minnesota, settling in Fergus Falls, which her father helped develop. After his death in 1889, her mother remarried a family friend and lawyer, H. Gysbert Klenze. Soon after, the family moved to Montana, first settling in Great Falls and finally in Butte, where Klenze drained the family funds pursuing mining and other ventures. MacLane spent the remainder of her life in the United States. She began writing for her school paper in 1898.
=Writing=
From the beginning, MacLane's writing was characterized by a direct, fiery, highly individualistic style. She was, however, also strongly influenced by such American regional realists as John Townsend Trowbridge (with whom she exchanged a few letters), Maria Louise Pool, and Hamlin Garland.
At the age of 19 in 1901, MacLane wrote her first book, titled by its author I Await the Devil's Coming but changed by its publishers, Herbert S. Stone & Co., to The Story of Mary MacLane. It sold 100,000 copies in the first month and was powerfully influential on young women, but was pilloried by conservative critics and readers, and lightly ridiculed by H. L. Mencken.
Some critics have suggested that even by today's standards, MacLane's writing is raw, honest, unflinching, self-aware, sensual, and extreme. She wrote openly about egoism and her own self-love, about sexual attraction and love for other women, and even about her desire to marry the Devil.
Her second book, My Friend Annabel Lee was published by Stone in 1903. More experimental in style than her debut book, it was not nearly so sensational, though MacLane was said to have made a fairly large amount of money.
Her final book, I, Mary Maclane: A Diary of Human Days was published by Frederick A. Stokes in 1917 and sold moderately well but may have been overshadowed by America's recent entry into World War I.
In 1917, she wrote and starred in the 90-minute autobiographical silent film titled Men Who Have Made Love to Me, for Essanay Studios. Produced by film pioneer George Kirke Spoor and based on MacLane's 1910 article of the same title for a Butte newspaper, it has been speculated to have been as an extremely early, if not the earliest, sustained breaking of the fourth wall in cinema, with the writer-star directly addressing the audience. Though stills and some subtitles have survived, the film is now believed to be lost.
=Influence=
Among the numerous authors who referenced, parodied, or answered MacLane were Mark Twain, F. Scott Fitzgerald, Harriet Monroe, famed lawyer Clarence Darrow, Ring Lardner Jr., Sherwood Anderson. Among the less-remembered was Gertrude Sanborn, who published an optimistic riposte to MacLane's 1917 I, Mary MacLane under the title I, Citizen of Eternity (1920).
=Personal life=
MacLane had always chafed, or felt, "anxiety of place," at living in Butte, which was a mining city far from cultural centers, and used the money from her first book's sales to travel to Chicago, then Massachusetts. She lived in Rockland, Massachusetts, wintering in St. Augustine, Florida, from 1903โ1908, then in Greenwich Village from 1908โ1909, where she continued writing and, by her own account, living a decadent and Bohemian existence. She was close friends with the feminist writer Inez Haynes Irwin, who is mentioned in MacLane's private correspondence and is referenced in some of MacLane's 1910 writing in a Butte newspaper.
MacLane died in Chicago in early August 1929, aged 48. She was soon forgotten and her prose remained out of print until late 1993, when The Story of Mary MacLane and some of her newspaper feature work was republished in Tender Darkness: A Mary MacLane Anthology.
Contemporary collections and performances
In January 2011, the publisher of Tender Darkness (1993) announced forthcoming publication of an integrated complete-works anthology and biographical study of MacLane. The first volume, Human Days: A Mary MacLane Reader (with Foreword by Bojana Novakovic), was published in late 2014. The next installments - the multi-volume Mary in The Press: Miss MacLane and Her Fame (which will collect for the first time the enormous primary-source record of the sensation during her life and after) and the a biographical/interpretive study, A Quite Unusual Intensity of Life: The Lives, Works, and Influence of Mary MacLane, also issued under the Petrarca Press logo, are to be published in 2015; these volumes are are to total 1800+ pages.
In 2011 Novakovic wrote and performed "The Story of Mary MacLane - By Herself" in Melbourne, Australia, which was subsequently staged in Sydney, Australia in 2012. Both were well-received by critics and audiences.
- http://en.wikipedia.org/wiki/
