Principles of Literary Criticism by I. A. Richards is a groundbreaking study that transformed twentieth‑century literary theory by linking the close reading of texts to psychology, semantics, and the reader’s emotional response. First published in 1924 and still a touchstone for students and scholars, this influential work explains how meaning is generated, how ambiguity enriches poetry, and why literature matters as a powerful instrument for ordering human experience. Richards introduces key concepts—such as “synesthetic rhythm,” “stock response,” and the “communication triangle”—that continue to shape modern criticism, making this volume essential for anyone who wants to understand how language, thought, and feeling interact on the page. Ivor Armstrong Richards (1893–1979), one of the most innovative critics of the modern era, taught at the University of Cambridge and later at Harvard, where he helped establish the discipline of English as a rigorous analytic science. A pioneer of New Criticism and practical criticism, Richards authored classic texts including The Meaning of Meaning (with C. K. Ogden) and Practical Criticism, and his theories influenced everything from literary pedagogy to the design of Basic English and early multimedia language labs. His interdisciplinary vision—combining linguistics, psychology, and education—continues to reverberate across literary studies, rhetoric, and communication theory. Blending lucid prose with trailblazing insight, Principles of Literary Criticism remains a vital resource for writers, teachers, and curious readers seeking to deepen their appreciation of poetry, fiction, and the interpretive act itself. Download this definitive edition on Google Play Books to explore Richards’s timeless guidance on how to read, analyze, and truly feel literature.