Banding Together: How Communities Create Genres in Popular Music

· Princeton University Press
4.0
1 review
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258
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About this ebook

Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music.


What are the common economic, organizational, ideological, and aesthetic traits among contemporary genres? Do genres follow patterns in their development? Lena discovers four dominant forms--Avant-garde, Scene-based, Industry-based, and Traditionalist--and two dominant trajectories that describe how American pop music genres develop. Outside the United States there exists a fifth form: the Government-purposed genre, which she examines in the music of China, Serbia, Nigeria, and Chile. Offering a rare analysis of how music communities operate, she looks at the shared obstacles and opportunities creative people face and reveals the ways in which people collaborate around ideas, artworks, individuals, and organizations that support their work.

Ratings and reviews

4.0
1 review
A Google user
June 16, 2012
Colin Flaherty received numerous accolades for his work in mainstream journalism, and now conducts a weekly radio program with his brother in which they view politics from a left-right divide. In addition, Colin just wrote a book that is not about its seeming topic. From first glance, this book would appear to be about race riots, and while it documents them well, the real purpose of this book is to ask Americans what’s wrong with us. Why can’t we talk honestly about this situation, why can’t we talk honestly about race, and why does our media avoid mention of necessary facts? Flaherty works his magic by creating a fact pattern out of many disparate news articles, which he then compares to YouTube footage of the event, showing us what actually happened. As this is an e-book, you can follow the links yourself, which is what this book challenges you to do. He does not ever stray into racism — at all. He does not blame African-Americans, or anyone else, for this spate of black on women, homosexuals, Asians and whites. He simply points out that it is occurring and that it upsets all Americans and weakens our faith in our media, who are brushing it under the rug. Writing in clear and sometimes sarcastic prose, Flaherty speaks from his strength, which is understanding media. He links together abundant citations, all from mainstream media and many from African-American media, in order to illustrate his point.
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About the author

Jennifer C. Lena is visiting assistant professor of sociology at Barnard College.

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