The Art of New Creation: Trajectories in Theology and the Arts
About this ebook
How might the relationship between creation and new creation be informed by and reflected in the arts? This volume, based on the DITA10 conference at Duke Divinity School, brings together reflections from theologians, biblical scholars, and artists to offer insights on God's first work, God's future work, and the future of the field of theology and the arts.
The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
About the author
Jeremy Begbie (PhD, University of Aberdeen) is Thomas A. Langford Distinguished Research Professor of Theology at Duke Divinity School, where he serves as the director of Duke Initiatives in Theology and the Arts (DITA). He is also a Senior Member of Wolfson College, Cambridge. He is author of a number of books, including Music, Modernity, and God; A Peculiar Orthodoxy; Redeeming Transcendence in the Arts; Resounding Truth: Christian Wisdom in the World of Music; Theology, Music and Time; Voicing Creation's Praise: Towards a Theology of the Arts. He is also a professionally trained musician and an ordained minister of the Church of England.
W. David O. Taylor (ThD, Duke Divinity School) is associate professor of theology and culture at Fuller Theological Seminary and the producer of a short film on the psalms with Bono and Eugene Peterson. An ordained Anglican minister, he is the author of Open and Unafraid: The Psalms as a Guide to Life, Glimpses of the New Creation: Worship and the Formative Power of the Arts, and The Theater of God's Glory: Calvin, Creation, and the Liturgical Arts, the co-editor of Contemporary Art and the Church, and the editor of For the Beauty of the Church: Casting a Vision for the Arts.
Daniel Train (PhD, Baylor University) is assistant teaching professor of the practice of theology and the arts at Duke Divinity School, where he serves as the associate director of Duke Initiatives in Theology and the Arts (DITA). He is the co-editor of The Saint John's Bible and Its Tradition: Illuminating Beauty in the Twenty-First Century.
