Propylaea

The Collected Works of Goethe Book 40 · Voltaire Press
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130
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Conceived as a gateway to classical aesthetics, this short-lived periodical co-edited by Goethe and Heinrich Meyer sought to counteract Romantic fragmentation by reviving Greek artistic principles. Named after the Acropolis entrance, it became a manifesto for Weimar Classicism, championing ideal beauty amid Napoleonic-era turbulence. Though only six issues emerged, its essays on art theory ignited fierce debates about imitation versus originality in European cultural circles.Launched in Tübingen in 1798 and folding in 1800, Propyläen featured theoretical treatises, art reviews, and translations of classical texts, explicitly opposing the Sturm und Drang movement’s emotional excesses. The journal’s core essay, Goethe’s "Introduction," argues for Nachahmung (imitation) of nature through idealized forms—a direct homage to Winckelmann’s Gedanken über die Nachahmung (1755), which equated Greek art with "noble simplicity and quiet grandeur." Each issue included engraved reproductions of classical and contemporary works, functioning as a visual textbook for artists striving to merge technical precision with ethical harmony.

The periodical’s legacy resides in its rigorous synthesis of practice and theory: it curated a pantheon of influences from Phidias to Raphael while dissecting flaws in modern art. Goethe’s editorial rigor framed aesthetics as a collaborative science, demanding that artists balance empirical observation with imaginative transcendence. Though criticized for elitism, Propyläen crystallized a moment when German art sought universality in antiquity’s shadow, making it indispensable for studying how classical revival shaped 19th-century cultural identity.

This critical reader's edition offers a modern translation of the original Fraktur manuscript (the old German script) to help curious readers delve into Goethe's works. It uses clear, contemporary language and straightforward sentences to illuminate his complex ideas. The edition includes supplementary material that provides autobiographical, historical, and linguistic context for this eighteenth-century work. This material includes an afterword by the translator that discusses Goethe’s history, impact, and intellectual legacy, as well as an index of the philosophical concepts he explored, with a focus on Romanticism and Classicism. Also included are a comprehensive chronological list of his published writings and a detailed timeline of his life, highlighting the personal relationships that profoundly influenced his philosophy.

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