Louis Guilloux:
ינו׳ 1998 · Rodopi
4.0star
ביקורת אחתreport
ספר דיגיטלי
203
דפים
family_home
כשיר
info
reportהביקורות והדירוגים לא מאומתים מידע נוסף
מידע על הספר הדיגיטלי הזה
This is the first truly comprehensive study, in any language, of the writings of Louis Guilloux. It embraces all his fiction, including his short stories, to which little or no attention has previously been paid. The title refers to Guilloux's lifelong stance: an empathetic witness and listener to the lives of other people, who lifts anecdotes to the level of social and psychological life-studies.
Highly valued by writers such as Malraux and Camus, Guilloux's work is studied here under several key categories (which represent overlaps and tensions rather than bleak opposites): memory and forgetfulness; the shifting relationship of individual and community; roots (stasis) and escape (movement); Guilloux and committed literature (La Maison du Peuple, Les Batailles perdues, and the trip to the USSR with Gide and Dabit).
A long chapter is devoted to a close reading of Guilloux's baroque masterpiece, Le Sang noir, a much richer and less cerebral epic of an intellectual enmeshed in a provincial society than its successor, Sartre's La Nausée. Detailed attention is given to Guilloux's recycling of the model for the hero Cripure, the rogue elephant thinker Georges Palante. Le Sang noir is a haunted book.
Guilloux's experiments with chronological dislocation (Le Jeu de patience), with narrative voices, essais de voix, (Coco perdu), with multiple personality (La Confrontation), and with the ambiguous pseudo-science of physiognomy (passim) are all fully analysed.
Throughout, wherever called for, the culturally cosmopolitan Guilloux is compared or contrasted with writers from various countries: Dostoevsky, Tolstoy, Gorky, Silone, Dickens, Vallès, Camus, and Sartre. This is a matter less of influence than of Guilloux's choice of companions.
Highly valued by writers such as Malraux and Camus, Guilloux's work is studied here under several key categories (which represent overlaps and tensions rather than bleak opposites): memory and forgetfulness; the shifting relationship of individual and community; roots (stasis) and escape (movement); Guilloux and committed literature (La Maison du Peuple, Les Batailles perdues, and the trip to the USSR with Gide and Dabit).
A long chapter is devoted to a close reading of Guilloux's baroque masterpiece, Le Sang noir, a much richer and less cerebral epic of an intellectual enmeshed in a provincial society than its successor, Sartre's La Nausée. Detailed attention is given to Guilloux's recycling of the model for the hero Cripure, the rogue elephant thinker Georges Palante. Le Sang noir is a haunted book.
Guilloux's experiments with chronological dislocation (Le Jeu de patience), with narrative voices, essais de voix, (Coco perdu), with multiple personality (La Confrontation), and with the ambiguous pseudo-science of physiognomy (passim) are all fully analysed.
Throughout, wherever called for, the culturally cosmopolitan Guilloux is compared or contrasted with writers from various countries: Dostoevsky, Tolstoy, Gorky, Silone, Dickens, Vallès, Camus, and Sartre. This is a matter less of influence than of Guilloux's choice of companions.
דירוגים וביקורות
4.0
ביקורת אחת
רוצה לדרג את הספר הדיגיטלי הזה?
נשמח לשמוע מה דעתך.
איך קוראים את הספר
סמארטפונים וטאבלטים
כל מה שצריך לעשות הוא להתקין את האפליקציה של Google Play Books ל-Android או ל-iPad/iPhone. היא מסתנכרנת באופן אוטומטי עם החשבון שלך ומאפשרת לך לקרוא מכל מקום, גם ללא חיבור לאינטרנט.
מחשבים ניידים ושולחניים
ניתן להאזין לספרי אודיו שנרכשו ב-Google Play באמצעות דפדפן האינטרנט של המחשב.
eReaders ומכשירים אחרים
כדי לקרוא במכשירים עם תצוגת דיו אלקטרוני (e-ink) כמו הקוראים האלקטרוניים של Kobo, צריך להוריד קובץ ולהעביר אותו למכשיר. יש לפעול לפי ההוראות המפורטות במרכז העזרה כדי להעביר את הקבצים לקוראים אלקטרוניים נתמכים.
