Beethoven's Letters 1790-1826, Volume 2

· CLASSICS TO GO Book 2 · Otbebookpublishing
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The second volume of Beethoven's letters begin with the composer in maturity. In these later years, several of his most accomplished and beautiful musical works were completed. It is clear from these written correspondences that music occupies a greater place in Beethoven's life; more frequently, he appends samples of and discusses musical phrasing and notation, giving readers insight into his methods of composition. Although Beethoven concealed his increasing deafness for years, it eventually became public knowledge. His ability to compose beautiful music was however undiminished, and demonstrated in concerts around Europe. Thought remarkable by the public, Beethoven nevertheless lived in quite modest circumstances, but felt deep appreciation for the acclaim with which he was held by various orchestral and philharmonic societies. In personal matters, Beethoven demonstrates great affection for his nephew Carl, whom he had won custody in the courts. However, the letters also reveal an irascible and controlling side to the composer: insistent that his nephew - whom he came to view as a son - be musically trained, the news that Carl's musical talents are negligible is a blow. Carl's subsequent intention to pursue a military career strains their relationship further. Despite these trials, Beethoven had the support of friends until the very end; his illness worsening, he was able to borrow money to pay for care, but it soon became clear he was on his deathbed. The great composer's final words comprise a short will, in which his estate is bequeathed to Carl. Ludwig van Beethoven died the next day, as a thunderstorm raged outside his apartment. (Amazon)

About the author

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

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