Photography, Memory, and Refugee Identity: The Voyage of the SS Walnut, 1948

Drawing on a collection of photographs taken during the voyage and at the Pier 21 detention centre, Mannik asks surviving passengers to describe their migration, their reception in Canada, and their feelings about the terms refugee and boat person. She explores to what extent the photos reflect the passengers’ experiences as they remember them and how those experiences compare with representations of refugees in news media, in government rhetoric, and at the Pier 21 Museum in Halifax. Ultimately, Mannik demonstrates that the photographs in the SS Walnut collection bear witness to the refugee experience even as the meanings attached to them have changed over time and in shifting contexts.