May Sarton: A Self-Portrait
Aug 2015 · Open Road Media
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This transcript from the film World of Light: A Portrait of May Sarton illuminates the life and writing of the poet while celebrating the joys of creativity, love, and solitude
In June of 1979, May Sarton answered the questions of two filmmakers and read to them from her poetry. This four-day "jam session" ultimately became an acclaimed documentary about her life and work.
For Sarton, the muse has always been female, and the writer says that her own poems "tell me where to go." In this rare and inspiring window into a singular woman's soul, Sarton speaks candidly about everything from how a single image opened the door to writing about her mother to the importance of transparency in art and life. She shares insights into her very personal art, including the unusual people and events that provide inspiration, how creativity can grow out of pain, solitude as a two-edged sword, the difficulties of being a female poet, and the ways love can open "the door into one's own secret and . . . frightening real self."
Featuring sections entitled "On Inner Space," "On Nature," and "On Love," this revealing volume is also about the need go on, even when up against overwhelming odds. May Sarton: A Self-Portrait pays tribute to an artist's vision and serves as a revealing window into a fascinating life.
In June of 1979, May Sarton answered the questions of two filmmakers and read to them from her poetry. This four-day "jam session" ultimately became an acclaimed documentary about her life and work.
For Sarton, the muse has always been female, and the writer says that her own poems "tell me where to go." In this rare and inspiring window into a singular woman's soul, Sarton speaks candidly about everything from how a single image opened the door to writing about her mother to the importance of transparency in art and life. She shares insights into her very personal art, including the unusual people and events that provide inspiration, how creativity can grow out of pain, solitude as a two-edged sword, the difficulties of being a female poet, and the ways love can open "the door into one's own secret and . . . frightening real self."
Featuring sections entitled "On Inner Space," "On Nature," and "On Love," this revealing volume is also about the need go on, even when up against overwhelming odds. May Sarton: A Self-Portrait pays tribute to an artist's vision and serves as a revealing window into a fascinating life.
Autoren-Profil
May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetrycollection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetrycollection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
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