Crucial Conversations: A Novel
Dec 2014 · Open Road Media
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150
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About this ebook
“May Sarton’s provocative novel is about a wife who has outgrown her husband, and after twenty-seven years of marriage decides that she has had enough. . . . [Poppy] is altogether believable.” —The Atlantic
To their close friend Philip, Poppy and Reed Whitelaw’s marriage appears stable and happy. Their ritual Sunday tennis matches and dinners are a highlight of his week, and the Whitelaws’ repartee is an object of wonder and admiration. But beneath the surface, the marriage has slowly been unraveling for years. An artist, Poppy feels the weight of time, calculating that she has twenty good years left for her work and little remaining tolerance for her diminishing marriage. And so, as newscasts about Vietnam and Watergate issue nightly warnings about the dangers of deceit and delusion, Poppy has decided to leave.
The separation guts Philip, who finds that his investment in the affairs of his friends outweighs his investment in his own. The relationship between the three friends had often been riven by jealousy, and the cataclysm of the Whitelaws’ separation does little to lessen anxieties roiling beneath the surface. As those in the Whitelaws’ orbit struggle to adjust to their new reality, a world of buried feelings rise inevitably to the fore.
To their close friend Philip, Poppy and Reed Whitelaw’s marriage appears stable and happy. Their ritual Sunday tennis matches and dinners are a highlight of his week, and the Whitelaws’ repartee is an object of wonder and admiration. But beneath the surface, the marriage has slowly been unraveling for years. An artist, Poppy feels the weight of time, calculating that she has twenty good years left for her work and little remaining tolerance for her diminishing marriage. And so, as newscasts about Vietnam and Watergate issue nightly warnings about the dangers of deceit and delusion, Poppy has decided to leave.
The separation guts Philip, who finds that his investment in the affairs of his friends outweighs his investment in his own. The relationship between the three friends had often been riven by jealousy, and the cataclysm of the Whitelaws’ separation does little to lessen anxieties roiling beneath the surface. As those in the Whitelaws’ orbit struggle to adjust to their new reality, a world of buried feelings rise inevitably to the fore.
About the author
May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
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