關於本電子書
One intriguing fact is how provenance research, which meticulously traces an object's ownership history, is crucial in addressing claims of looted art. Another is that repatriation claims often seek the return of artifacts acquired during colonialism, raising complex ethical questions.
This book uniquely combines art history and legal principles to unpack landmark court cases and ethical guidelines. It progresses from defining key legal concepts to analyzing specific disputes, such as Nazi-era looted art and the Elgin Marbles.
The approach involves drawing from court documents, museum records, and interviews with museum professionals, offering diverse perspectives.
Ultimately, the book provides best practices for museums, including ethical acquisition guidelines and strategies for mitigating legal risks, making it invaluable for anyone involved in cultural heritage.
