Music, Memory and Memoir
Robert Edgar · Fraser Mann · Helen Pleasance
Hun 2019 · Bloomsbury Publishing USA
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264
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Music, Memory and Memoir provides a unique look at the contemporary cultural phenomenon of the music memoir and, leading from this, the way that music is used to construct memory. Via analyses of memoirs that consider punk and pop, indie and dance, this text examines the nature of memory for musicians and the function of music in creating personal and cultural narratives. This book includes innovative and multidisciplinary approaches from a range of contributors consisting of academics, critics and musicians, evaluating this phenomenon from multiple academic and creative practices, and examines the contemporary music memoir in its cultural and literary contexts.
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Robert Edgar is Associate Professor in the York Centre for Writing at York St. John University, UK. His publications include Screenwriting (2009), The Language of Film (2015), The Music Documentary: Acid Rock to Electropop (co-editor, 2013) and The Arena Concert (co-editor, 2015).
Fraser Mann is Senior Lecturer in English Literature at York St. John University, UK. He is a specialist in war literature and memoir with particular interests in testimony, gender and trauma.
Helen Pleasance is Senior Lecturer in Creative Writing and English Literature at York St. John University, UK. Her research interests include contemporary fiction and creative non-fiction in all its forms, especially memoir, biography, true crime and hybrid forms.
Fraser Mann is Senior Lecturer in English Literature at York St. John University, UK. He is a specialist in war literature and memoir with particular interests in testimony, gender and trauma.
Helen Pleasance is Senior Lecturer in Creative Writing and English Literature at York St. John University, UK. Her research interests include contemporary fiction and creative non-fiction in all its forms, especially memoir, biography, true crime and hybrid forms.
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