Benin Bronzes

The narrative unfolds in three parts, detailing the origins and evolution of Benin bronze casting, their socio-political role within the Kingdom, and the controversial British Punitive Expedition of 1897. This expedition led to the looting of the bronzes and their dispersal to Western museums, raising critical questions about cultural restitution and colonial looting. Historical accounts reveal these bronzes were displayed in the royal palace to legitimize the Oba's reign, demonstrating the integral link between art and power.

By examining archival documents, museum inventories, and oral traditions, the book adopts an interdisciplinary approach, blending art history with postcolonial studies to address the ethical dilemmas surrounding repatriation and cultural ownership. It offers a nuanced perspective on the ongoing debates, making it a valuable resource for anyone interested in art history, cultural heritage, and the complex legacy of colonialism.