Philosophical Letters

· The Collected Works of Voltaire Aklat 3 · Marchen Press
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The Lettres philosophiques (1734) – often known in English as Letters Concerning the English Nation, Letters on the English, or simply Philosophical Letters – is a set of essays written in the form of correspondence. Voltaire based these letters on his experiences during the late 1720s while exiled in England. Each letter describes an aspect of British life: he devotes sections to religious sects (Quakers, Anglicans, Presbyterians, Socinians), to governmental institutions (Parliament, the monarchy), and to intellectual currents (John Locke, Isaac Newton, Francis Bacon). For example, he marvels at the political role of the merchant class and the atmosphere of religious toleration, contrasting them implicitly with French norms. He also discusses recent scientific topics – praising Locke’s empiricism and Newton’s experiments on optics and gravity – and notes medical advances like smallpox inoculation. In every case, Voltaire’s letters point out what he sees as the benefits of English customs and ideas. He is particularly impressed by the open debate about religion and by the practical application of reason. The essays culminate in a letter on Locke where Voltaire extends the British habit of inquiry to the study of the human mind and soul. Overall, the content is laudatory toward England and uses it as a backdrop to critique any intellectual intolerance, suggesting that a free and enlightened society yields human progress.

This modern Critical Reader’s Edition includes an illuminating afterword tracing Voltaire’s intellectual relationships with Enlightenment thinkers and philosophers (including Locke, Diderot, Rousseau and Newton), containing unique research into his influences and economic attachments, a comprehensive timeline of his life and works, a glossary of Enlightenment terminology, and a detailed index of all of Voltaire’s writings. This unique professional translation renders Voltaire’s sharp, satirical prose into modern language to preserve the original clarity and movement of the text. Combined with the scholarly amplifying material, this edition is a groundbreaking exploration of Voltaire’s classic works and his enduring artistic and philosophical influence.

This collection was first published anonymously in London in 1733 (in English translation by chapbook printer Lockman) and then issued in French translation in 1734. Its release caused an immediate uproar in France. The letters were seen as a thinly veiled attack on the French political and religious system, and they were rapidly suppressed. Voltaire himself was threatened with prosecution by the French authorities, forcing him to flee Paris and live in exile at times for his safety. Thus the Lettres philosophiques debuted at a time of intense governmental censorship. In spite of that, they were widely read clandestinely and discussed in intellectual circles. The controversial nature of the publication underscores its context: it appeared at the height of ancien régime absolutism, so Voltaire’s open admiration for English liberties and criticism of fanaticism directly challenged the status quo. The work was quite unlike what the censors expected from Voltaire’s oeuvre; rather than avoid politics, he embraced the occasion of an expatriate’s perspective to provoke debate.

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Voltaire (1694-1778), born François-Marie Arouet, was a towering figure in the European Enlightenment, renowned for his wit, satirical genius, and fierce advocacy of civil liberties, including freedom of religion and free trade. Born on November 21, 1694, in Paris, Voltaire was educated by the Jesuits at the Collège Louis-le-Grand, where he demonstrated an early talent in literature and theater. Despite a brief stint studying law, he devoted himself to writing, rapidly gaining fame for his sharp wit and eloquence. Voltaire's literary career was marked by numerous conflicts with French authorities, leading to periods of imprisonment and exile. His most famous stay at the Bastille prison was due to his satirical verse, which mocked the French Regent. This propensity for critique often saw him in conflict with the establishment, but it also earned him a reputation as a champion of the oppressed and a critic of religious and political dogma, including the Atheistic dogmatism of the French Revolution.

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