Postcolonial Bergson
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For Iqbal, a founding father of independent Pakistan, Bergson’s conceptions of time and creative evolution resonated with the need for the “reconstruction of religious thought in Islam,” a religious thought newly able to incorporate innovation and change. For Senghor, Bergsonian ideas of perception, intuition, and élan vital—filtered in part through the work of the French philosopher Pierre Teilhard de Chardin—proved crucial for thinking about African art, as well as foundational for his formulations of African socialism and his visions of an unalienated African future.
At a moment of renewed interest in Bergson’s philosophy, this book, by a major figure in both French and African philosophy, gives an expanded idea of the political ramifications of Bergson’s thought in a postcolonial context.
Autoren-Profil
Souleymane Bachir Diagne is Professor of French and Philosophy and Director of the Institute of African Studies at Columbia University. His areas of research and publication include history of philosophy, history of logic and mathematics, Islamic philosophy, and African philosophy and literature. His latest publications in English include Open to Reason: Muslim Philosophers in Conversation with Western Tradition (Columbia University Press, 2018); Postcolonial Bergson (Fordham University Press, 2019); In Search of Africa(s): Universalism and Decolonial Thought (with Jean-Loup Amselle, Polity, 2020); African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude (Other Press, 2023).
Lindsay Turner is Associate Professor of English and Creative Writing at Case Western Reserve University. She is the author of two collections of poetry and has translated books by Stéphane Bouquet, Éric Baratay, Souleymane Bachir Diagne, Anne Dufourmantelle, Richard Rechtman, Ryoko Sekiguchi, and others.
John E. Drabinski is Professor of African American Studies and English at the University of Maryland. He is author of So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern, 2025), Glissant and the Middle Passage: Philosophy, Beginning, Abyss (Minnesota, 2019), Theorizing Glissant: Sites and Citations (Rowman and Littlefield, 2015), Levinas and the Postcolonial: Race, Nation, Other (Edinburgh, 2011), Godard Between Identity and Difference (Continuum, 2008), and Sensibility and Singularity: The Problem of Phenomenology in Levinas (SUNY, 2001).
