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From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty.
Can she escape her mother’s fate and find a connection that is more than skin deep?
A Most Anticipated Book of 2023 in The Guardian,Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!
'[A] biting satire on the beauty industry' The Guardian
'Awad is a genius, preternaturally gifted at creating vicious, hilarious tales about the depravity inside us.' Vulture
"A brilliant, biting critique of western beauty standards as well as a soaring, phantasmagoric, Angela Carter-esque fairy tale about trauma and the loss of self. Rouge is deeply unsettling, funny, obsessive, and unlike anything I've read. A truly mesmerizing read." Paul Tremblay, author of The Cabin at the End of the World
For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass.
Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, ROUGE explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, ROUGE holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.
"Rouge is a fever dream—a brilliant, intense, unforgettable horror story about a beauty cult with a deeply moving mother-daughter story at its core. Mona Awad’s signature and singular imagination and black humor and empathy are on full display here, and her wild-ride of a tale is masterfully grounded in the emotional devastation of childhood and grief. I loved every word of this." Laura Zigman, author of Small World
"There is nobody else like Mona Awad, daring enough to plunge her hands—rings and all—into the viscera of story and discover an unsettling beauty within. ROUGE is her most magnetic work yet, a thrilling dystopian romp that knows that beneath the glossy, aspirational veneer of self-care lurks the same old gothic abyss." Alexandra Kleeman, author of Something New Under the Sun
Can she escape her mother’s fate and find a connection that is more than skin deep?
A Most Anticipated Book of 2023 in The Guardian,Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!
'[A] biting satire on the beauty industry' The Guardian
'Awad is a genius, preternaturally gifted at creating vicious, hilarious tales about the depravity inside us.' Vulture
"A brilliant, biting critique of western beauty standards as well as a soaring, phantasmagoric, Angela Carter-esque fairy tale about trauma and the loss of self. Rouge is deeply unsettling, funny, obsessive, and unlike anything I've read. A truly mesmerizing read." Paul Tremblay, author of The Cabin at the End of the World
For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass.
Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, ROUGE explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, ROUGE holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.
"Rouge is a fever dream—a brilliant, intense, unforgettable horror story about a beauty cult with a deeply moving mother-daughter story at its core. Mona Awad’s signature and singular imagination and black humor and empathy are on full display here, and her wild-ride of a tale is masterfully grounded in the emotional devastation of childhood and grief. I loved every word of this." Laura Zigman, author of Small World
"There is nobody else like Mona Awad, daring enough to plunge her hands—rings and all—into the viscera of story and discover an unsettling beauty within. ROUGE is her most magnetic work yet, a thrilling dystopian romp that knows that beneath the glossy, aspirational veneer of self-care lurks the same old gothic abyss." Alexandra Kleeman, author of Something New Under the Sun
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Mona Awad is the bestselling author of the novels Rouge, All’s Well, Bunny, and 13 Ways of Looking at a Fat Girl. She is a three-time finalist for a Goodreads Choice Award, the recipient of an Amazon Best First Novel Award, and she was shortlisted for the Giller Prize. Bunny was a finalist for a New England Book Award and was named a Best Book of 2019 by Time, Vogue, and the New York Public Library. It is currently being developed for film with Bad Robot Productions. Rouge is being adapted for film by Fremantle and Sinestra. Margaret Atwood named Awad her “literary heir” in The New York Times’s T Magazine. She teaches fiction in the creative writing program at Syracuse University and is based in Boston.
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