In impeccable and surprising language, Applewhite depicts the social conventions, changes, frictions, and continuities of small southern towns. He celebrates that which he values as decent and life-enhancing, and his veneration is perhaps most apparent in his response to the natural world, to the rivers and trees and flowers. Yet Applewhite’s love for his native land is not straightforward. His verse chronicles his conflicted feelings for the region that gave him the initial, evocative language of place and immersed him in a blazing sensory world while it also bequeathed the distortions, denials, and prejudices that make it so painful a labyrinth. Rendering troubled legacies as well as profound decency, Applewhite reveals the universally human in a distinctively local voice, within dramatic and mundane moments of hope and sorrow and faith.
James Applewhite’s books of poetry include A Diary of Altered Light (forthcoming), Quartet for Three Voices (2002), Daytime and Starlight (1997), and A History of the River (1993). He has received numerous awards, including the American Academy and Institute of Arts and Letters Jean Stein Award in Poetry, the Associated Writing Programs Award in Poetry, and the North Carolina Award in Literature. Applewhite is Professor of English at Duke University, where he has taught since 1972.