Belief
Oct 2012 · Penguin Random House New Zealand Limited
Ebook
482
Pages
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About this ebook
An epic novel of love and religion that sweeps across New Zealand and America at the turn of the nineteenth century. In 1899 William McQuiggan leaves his young Australian wife and new-born twins in New Zealand and travels to America in search of God. Belief is the story of his journey and of his marriage to Myra, who follows him from Auckland to Salt Lake City, Utah, and to Zion City, Illinois. With each leg of the journey the family grows until William is the reluctant father of six, and Myra's understanding of her husband deepens and matures. Belief is a vivid evocation of a way of life that has passed, a tale told on a grand scale: the story spans seventeen years, three countries and three religions. More than that, it is the story of how love and patience may triumph over violence and despair.
About the author
Stephanie Johnson is the author of several collections of poetry and of short stories, some plays and adaptations, and many fine novels. The New Zealand Listener commented that ‘Stephanie Johnson is a writer of talent and distinction. Over the course of an award-winning career — during which she has written plays, poetry, short stories and novels — she has become a significant presence in the New Zealand literary landscape, a presence cemented and enhanced by her roles as critic and creative writing teacher.’ The Shag Incident won the Montana Deutz Medal for Fiction in 2003, and Belief was shortlisted for the same award. Stephanie has also won the Bruce Mason Playwrights Award and Katherine Mansfield Fellowship, and was the 2001 Literary Fellow at the University of Auckland. Many of her novels have been published in Australia, America and the United Kingdom. She co-founded the Auckland Writers and Readers Festival with Peter Wells in 1999. She is the 2023 recipient of the Prime Minister's Award for Literature. The Oxford Companion to New Zealand Literature describes Johnson’s writing as ‘marked by a dry irony, a sharp-edged humour that focuses unerringly on the frailties and foolishness of her characters . . . There is compassion, though, and sensitivity in the development of complex situations’, and goes on to note that ‘a purposeful sense of . . . larger concerns balances Johnson’s precision with the small details of situation, character and voice that give veracity and colour’.
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