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“Extraordinary. . . [Ma Jian] has shown us how poverty and political repression have deformed [Tibet’s] once rich and vibrant culture.” —Francine Prose, People
In this profound work of fiction, a Chinese writer whose marriage has fallen apart travels to Tibet. As he wanders through the countryside, he witnesses the sky burial of a Tibetan woman who died during childbirth, shares a tent with a nomad who is walking to a sacred mountain to seek forgiveness for sleeping with his daughter, meets a silversmith who has hung the wind-dried corpse of his lover on the wall of his cave, and hears the story of a young female incarnate lama who died during a Buddhist initiation rite. In the thin air of the high plateau, the divide between dream and reality becomes confused.
When this book was published in Chinese in 1997, a blanket ban was placed on Ma Jian’s future work. With its publication in English, including a new afterword by the author, readers get a rare glimpse of Tibet through Chinese eyes and a window on the imagination of one of China’s foremost writers.
“These powerful pages . . . are hard to shake from one’s memory and remain . . . testimony to the storytelling artistry of Ma Jian.” —The Washington Post
“The people Ma Jian transfigures, the images of a Tibet where the living and the dead seem to mingle with beauty and unease, all this becomes quite a striking souvenir of our own high altitude pilgrimage through these exotic pages.” —NPR’s All Things Considered
In this profound work of fiction, a Chinese writer whose marriage has fallen apart travels to Tibet. As he wanders through the countryside, he witnesses the sky burial of a Tibetan woman who died during childbirth, shares a tent with a nomad who is walking to a sacred mountain to seek forgiveness for sleeping with his daughter, meets a silversmith who has hung the wind-dried corpse of his lover on the wall of his cave, and hears the story of a young female incarnate lama who died during a Buddhist initiation rite. In the thin air of the high plateau, the divide between dream and reality becomes confused.
When this book was published in Chinese in 1997, a blanket ban was placed on Ma Jian’s future work. With its publication in English, including a new afterword by the author, readers get a rare glimpse of Tibet through Chinese eyes and a window on the imagination of one of China’s foremost writers.
“These powerful pages . . . are hard to shake from one’s memory and remain . . . testimony to the storytelling artistry of Ma Jian.” —The Washington Post
“The people Ma Jian transfigures, the images of a Tibet where the living and the dead seem to mingle with beauty and unease, all this becomes quite a striking souvenir of our own high altitude pilgrimage through these exotic pages.” —NPR’s All Things Considered
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Ma Jian left Beijing for Hong Kong in 1987. After the handover of Hong Kong he moved to Germany and then London, where he now lives. He is the author of Red Dust and The Noodle Maker, which FSG published in 2005.
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