The Films of Fred Schepisi
нов 2021. · Univ. Press of Mississippi
Е-књига
194
Страница
reportОцене и рецензије нису верификоване Сазнајте више
О овој е-књизи
Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. The Films of Fred Schepisi traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company. Unlike some directors, he derived from this experience a sure sense of the commercial aspects of filmmaking, as well as its aesthetic considerations. The volume also considers stories of his early education in a Catholic seminary, which he drew on in his semiautobiographical film, The Devil’s Playground, the success of which launched him as an exciting new feature director.
The volume expands on Schepisi’s success story to chart his development as a director in demand in other countries, notably in the US and the UK, as well as continuing to make major films in Australia. Brian McFarlane argues that Schepisi’s career is symptomatic of Australian directors who have made their presences felt on the international stage. Whereas other key directors of the Australian film revival, such as Peter Weir and Bruce Beresford, have been the subject of book-length critical studies, Schepisi’s career has not to-date been so explored. McFarlane takes a critical account of Schepisi’s film output—including such standouts as The Chant of Jimmie Blacksmith, Plenty, Roxanne, Six Degrees of Separation, Mr. Baseball, and Last Orders—and he augments analysis with interviews with the director. By discussing the production histories and both critical and popular receptions, McFarlane’s study shines a new light on Schepisi’s work and his rise to prominence in the global film industry.
The volume expands on Schepisi’s success story to chart his development as a director in demand in other countries, notably in the US and the UK, as well as continuing to make major films in Australia. Brian McFarlane argues that Schepisi’s career is symptomatic of Australian directors who have made their presences felt on the international stage. Whereas other key directors of the Australian film revival, such as Peter Weir and Bruce Beresford, have been the subject of book-length critical studies, Schepisi’s career has not to-date been so explored. McFarlane takes a critical account of Schepisi’s film output—including such standouts as The Chant of Jimmie Blacksmith, Plenty, Roxanne, Six Degrees of Separation, Mr. Baseball, and Last Orders—and he augments analysis with interviews with the director. By discussing the production histories and both critical and popular receptions, McFarlane’s study shines a new light on Schepisi’s work and his rise to prominence in the global film industry.
О аутору
Brian McFarlane is associate professor of English at Monash University, Melbourne. He is compiler, editor, and chief author of The Encyclopedia of British Film.
Оцените ову е-књигу
Јавите нам своје мишљење.
Информације о читању
Паметни телефони и таблети
Инсталирајте апликацију Google Play књиге за Android и iPad/iPhone. Аутоматски се синхронизује са налогом и омогућава вам да читате онлајн и офлајн где год да се налазите.
Лаптопови и рачунари
Можете да слушате аудио-књиге купљене на Google Play-у помоћу веб-прегледача на рачунару.
Е-читачи и други уређаји
Да бисте читали на уређајима које користе е-мастило, као што су Kobo е-читачи, треба да преузмете фајл и пренесете га на уређај. Пратите детаљна упутства из центра за помоћ да бисте пренели фајлове у подржане е-читаче.
