The Leftovers

· Legend Press Ltd
5.0
1 Rezension
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'It was dark and sad and powerful and poetic. Just addictive, and bloody marvellous' Louise BeechThe Leftovers is a story about sexual power and consent, the myth of the perfect victim, and a dark exploration of the things we do for – and to – the ones we love.Callie's life is spent caring for others – for Frey, her client, and for Noah, her brother. When a tragic car accident shatters her family, she's left alone with her mother Vanessa. Vanessa's favourite child was Noah; Callie's favourite parent was her dad. Now they're stuck with each other - the leftovers of their family - and they'll have to confront the ways they've been hurt, and the ways they've passed that hurt on to others.Praise for Cassandra:'A thoughtful novel. Parkin creates authentic, interesting characters' Carys Bray'Fresh and original, written vividly and with lair. I was completely engrossed!' Katherine Webb'A dark, eloquently creepy tale. Parkin's prose quivers with visceral terror' Carol Lovekin

Bewertungen und Rezensionen

5.0
1 Rezension
Missy Mesmerized (miss mesmerized)
1. November 2021
Nurse Callie is giving up her job to be better able to care for her brother. For years now, Noah has been suffering from mental illness and apart from their father, Callie is the only one he trusts and who is able to calm him when he gets in a state of emergency. To have more time, she leaves the hospital and becomes a carer for Frey, a young man who does not talk and needs strict daily routines to cope with life. Thus, Callie spends two weeks with her father and brother and the other two together with a colleague with Frey. When she returns one night from work, she receives an awful message: both her beloved ones have died in an accident and now she has to face her mother again. The woman who left them, who always hated Callie and the single person she does not want to see. It is a confrontation which is not only hurtful but which also lets lose monsters which have been kept locked up for many years. Cassandra Parkin’s novel is a dark tale which play with the big question if the narrator is reliable or not and if what we remember is actually how things really happened or if our brain might play tricks on us. “The Leftovers” is great in making you high alert for the half-sentences, the things implied, all that is not said and questions all characters. Whom can you trust? Who is willingly misleading? Who is misled by their brains? From a point where all is clear, you enter an abyss where everything is possible. Callie appears to be a selfless young woman who has destined her life to care for others. She is great with Frey as she has a long history of living with her brother and noticing nuances, slight changes which might be signs for dramatic events. She can well adapt to Frey’s needs and sync herself with his life which makes her perfect for the job. Yet, after some time, things slightly change and it takes some time for the reader to figure out why that is. In the confrontation with her cool and repellent mother, childhood memories come up. Not only did her mother not show any affection towards her and clearly preferred her brother, she definitely neglected the girl. In Callie’s recollections, it all makes sense and fits together perfectly, yet, the more you get to know, the more you start to wonder if she, too, might see things that are not there just like her brother. Even though from what she tells, it all seems right and yet, doesn’t the understanding from the world of somebody suffering from paranoia normally form a consistent picture? A great read I can only recommend but you should be aware that some contents might feel like triggers for a highly sensitive reader.
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Autoren-Profil

Cassandra Parkin grew up in Hull, and now lives in East Yorkshire. Her short story collection, New World Fairy Tales (Salt Publishing, 2011), won the 2011 Scott Prize for Short Stories.

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