The Men of Yarnith
2015. g. aug. · Simon and Schuster
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Par šo e-grāmatu
The men of Yarnith hold that nothing began until Yarni Zai uplifted his hand. Yarni Zai, they say, has the form of a man but is greater and is a thing of rock. When he uplifted his hand all the rocks that wandered beneath the Dome, by which name they call the sky, gathered together around Yarni Zai. Of the other worlds they say nought, but hold that the stars are the eyes of all the other gods that look on Yarni Zai and laugh, for they are all greater than he, though they have gathered no worlds around them. Yet though they be greater than Yarni Zai, and though they laugh at him when they speak together beneath the Dome, they all speak of Yarni Zai.
Par autoru
Though during his lifetime the Irish nobleman Lord Edward John Moreton Drax Plunkett, the 18th Baron Dunsany, was perhaps regarded as a minor talent, his somber short fantasies and novels had a significant impact on the development of fantasy and horror fiction. In real life, Dunsany was as interesting and versatile as anyone about whom he wrote. He was an African big-game hunter, a soldier in both the Boer War and World War I, and was wounded in the 1916 Irish Easter Rebellion. He was also the national chess champion of Ireland. Dunsany's first short story collection, The Gods of Pegana, was published in 1905 and was soon followed by other fantasy anthologies, including Time and the Gods (1906) and The Sword of Welleran and Other Stories (1908), among others. These stories are distinguished by their elegant, fairy tale settings and Dunsany's unique, macabre sense of humor. Dunsany's novels, such as The King of Elfland's Daughter (1924) and The Charwoman's Shadow (1926), are considered fantasy classics. Although Dunsany wrote prodigiously and with great versatility throughout his life, many regard his early, highly stylized short fiction to be his best work, and his most important.
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