The Pauper of Park Lane
jul 2023 · Otbebookpublishing
Libro electrónico
268
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Excerpt: ""There's some mystery about that girl—I'm certain of it." "What makes you suspect that?" "Well, first, she's evidently a lady—the daughter of a man who has come down in the world most probably: and secondly—" "Ah! You mean the secret lover—the man who was here yesterday and bought a twenty-guinea evening gown of her to send to his sister—eh?" exclaimed Mr Warner, "buyer" of the costume department of the great drapery house of Cunnington's, in Oxford Street, that huge store which, as everybody knows, competes with Whiteleys and Harrods for the premier place of the middle-class trade in London. "Yes," laughed Miss Thomas, the rather stout middle-aged woman who was head saleswoman of the department, as she stood in the small, glass-partitioned office of the buyer, a pleasant-faced man of forty-five who was an expert in ladies' costumes, and twice yearly bought his stock personally in Paris and in Berlin. "Yes. She's a really nice girl, but I can't quite make her out, although she's been here for over a year now." "And the lover?" asked the buyer, with a glance across the long square room where autumn costumes of every description were displayed upon stands, or hanging by the hundred in long rows, while ranged round the walls were many expensive evening-dresses exhibited in glass cases. It was afternoon, and the place was full of customers, the assistants in their neat black holding ready-made skirts to their sides to try the effect, or conducting the prospective purchaser to the fitting-rooms. And yet they were not what Mr Warner termed "busy." "The man, too, is a mystery, like Miss Rolfe. Nobody knows his name. He comes in sometimes, goes up to her, and asks to be served with a skirt or something, and has it sent to Mr Evans at some chambers in Dover Street. The name is, of course, not the right one," said the head assistant. "But Miss Rolfe knows it, of course?" "Probably she does." "And she meets him after business hours?" "I think so. But she keeps herself very much to herself, and is always at home early." Mr Warner glanced across at the tall, fair-haired, handsome girl, whose figure showed to such advantage in her black satin gown. At that moment she was displaying a cheap tweed skirt to two middle-aged women. Her face, as he caught its profile, was very soft and refined, the contour of her cheeks perfect, and the stray wisp of hair across the brow gave a softness to her countenance that was charming. Many a stage girl whose photograph was displayed in the shop-windows was not half so beautiful as the demure, hard-working shop-assistant, Marion Rolfe."
Acerca del autor
William Le Queux (1864-1927) was a British author, journalist, and adventurer whose prolific output and sensational storytelling left an indelible mark on early 20th-century literature. Born in London to a French father and an English mother, Le Queux's cosmopolitan upbringing and insatiable curiosity fueled his writing career. His works often blurred the lines between fiction and reality, captivating readers with tales of espionage, international intrigue, and looming threats of war.Le Queux's most notable contribution to literature is his pioneering role in the spy novel genre. His vivid imagination and knack for weaving intricate plots predated and influenced the likes of John Buchan and Ian Fleming. His works, such as "The Great War in England in 1897" and "The Invasion of 1910," played on contemporary fears of foreign invasion, reflecting and shaping public sentiment during a time of geopolitical tension.A master of self-promotion, Le Queux often claimed to have inside knowledge of government secrets and espionage activities, a tactic that both intrigued and alarmed his readers. His controversial assertions and the sensational nature of his writing sometimes drew skepticism and criticism, but they also ensured his lasting popularity.Le Queux was not just a writer of fiction; he was also a fervent patriot and an early advocate for national preparedness. His works often carried a didactic tone, urging vigilance and readiness in the face of potential threats. This blend of entertainment and advocacy made his novels more than just thrilling reads; they were calls to action that resonated with a generation on the brink of global conflict.In an era where the boundaries between fact and fiction were increasingly porous, William Le Queux stood out as a figure who deftly navigated both realms, leaving a legacy that continues to influence the spy genre and the way we think about national security.
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