Theatre and History
Okt 2014 · Bloomsbury Publishing
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116
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This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
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Rebecca Schneider is Professor of Theatre Arts and Performance Studies at Brown University, USA. She is the author of The Explicit Body in Performance and Performing Remains: Art and War in Times of Theatrical Reenactment, as well as numerous essays. She is the Consortium Editor for The Drama Review: A Journal of Performance Studies, edited by Richard Schechner, and is co-editor with David Krasner of the book series Theater: Theory/Text/Performance.
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