This Crooked Way
fev, 2012 · Univ. Press of Mississippi
E-kitob
256
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Bu e-kitob haqida
Elizabeth Spencer presents a vital, moving story set in the deep South—the Delta and Mississippi Hill Country. Amos Dudley was a farm boy in the Delta at the turn of the century until he started working for his brother Ephraim in the store by the railroad. It was an ordinary enough environment in which to begin to feel the strange forces that move a man to set his course in the world.
But the forces working within Amos were by no means ordinary. Sometimes cruel, sometimes suddenly tender, they were strong and willful, so that Amos became a man to reckon with—to Ary, his beautiful, plantation-born wife, to the woman in the bayou, to the shiftless philosopher, Arney. Even the rich, black swamp soil which he wrested from the forest and gave to his cotton seemed to respond with awe and eagerness to Amos’s will. His sensuous, wayward daughter and the man she loved especially felt the full shattering drama of the violence which had evidently been building—building in the fate of a man who, regardless, takes his own crooked way.
But the forces working within Amos were by no means ordinary. Sometimes cruel, sometimes suddenly tender, they were strong and willful, so that Amos became a man to reckon with—to Ary, his beautiful, plantation-born wife, to the woman in the bayou, to the shiftless philosopher, Arney. Even the rich, black swamp soil which he wrested from the forest and gave to his cotton seemed to respond with awe and eagerness to Amos’s will. His sensuous, wayward daughter and the man she loved especially felt the full shattering drama of the violence which had evidently been building—building in the fate of a man who, regardless, takes his own crooked way.
Muallif haqida
Elizabeth Spencer (1921–2019) is author of nine novels, seven collections of short stories, a memoir, and a play. Her novella The Light in the Piazza (1960) was adapted for the screen in 1962 and transformed into a Broadway musical of the same name in 2005. She was a member of the American Academy of Arts and Letters and a charter member of the Fellowship of Southern Writers.
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