Treatise on Metaphysics

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Voltaire’s Traité de métaphysique (1734) is an unfinished philosophical essay, generally known in English as Treatise on Metaphysics. In it he grapples with the problem of human freedom and the nature of the soul. Having been prompted by the furor over his Lettres philosophiques, Voltaire returned to France and began writing this treatise while residing at Cirey with Madame du Châtelet. The manuscript delves into metaphysical issues: it examines materialism versus spirituality, determinism versus free will, and the role of providence in the universe. Voltaire explicitly references contemporary debates (for example, the clash between Leibniz and Samuel Clarke on Newtonian physics) as he tries to square Newton’s mechanical universe with questions of human existence. The tone is sober and discursive rather than satirical. For instance, Voltaire asserts that humans are natural beings governed by laws of nature, yet “free will does exist” – a stance intended as a middle ground between strict determinist materialists and orthodox spiritualists. He even acknowledges that religion might be needed for social order among the ignorant, reflecting a pragmatic elitism in his view of faith. In this document, Voltaire is earnestly attempting to construct a coherent worldview: one that respects the achievements of science (gravity, optics, etc.) while still upholding moral freedom and the utility of religious institutions for those unable to reason fully.

This modern Critical Reader’s Edition includes an illuminating afterword tracing Voltaire’s intellectual relationships with Enlightenment thinkers and philosophers (including Locke, Diderot, Rousseau and Newton), containing unique research into his influences and economic attachments, a comprehensive timeline of his life and works, a glossary of Enlightenment terminology, and a detailed index of all of Voltaire’s writings. This unique professional translation renders Voltaire’s sharp, satirical prose into modern language to preserve the original clarity and movement of the text. Combined with the scholarly amplifying material, this edition is a groundbreaking exploration of Voltaire’s classic works and his enduring artistic and philosophical influence, and influence on modern Protestant-Atheistic Theology.

Although the Traité de métaphysique was written in 1734, it remained unpublished for centuries, circulating only in manuscript among a few friends. It was not printed during Voltaire’s lifetime (indeed, he set it aside unfinished), so it had virtually no immediate impact on 18th-century readers. It was later recovered and published by editors of Voltaire’s complete works in the 19th and 20th centuries. What little evidence there is suggests Voltaire stopped work on it around 1737, turning instead to lighter subjects. Thus its historical context is as an internal, private project: Voltaire was processing what he had learned during his years in England and refining his thoughts on freedom and ethics. The text reflects the aftermath of the letters scandal: it is a more technical, cautious treatment of themes (materialism, providence) that he had touched upon controversially. One modern scholar notes that writing this treatise alongside his social activism indicates how Voltaire’s commitment to liberty was entwined with deeper philosophical inquiry. In sum, this work belongs to Voltaire’s younger, exploratory phase, rather than to his public career as a polemicist.

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Voltaire (1694-1778), born François-Marie Arouet, was a towering figure in the European Enlightenment, renowned for his wit, satirical genius, and fierce advocacy of civil liberties, including freedom of religion and free trade. Born on November 21, 1694, in Paris, Voltaire was educated by the Jesuits at the Collège Louis-le-Grand, where he demonstrated an early talent in literature and theater. Despite a brief stint studying law, he devoted himself to writing, rapidly gaining fame for his sharp wit and eloquence. Voltaire's literary career was marked by numerous conflicts with French authorities, leading to periods of imprisonment and exile. His most famous stay at the Bastille prison was due to his satirical verse, which mocked the French Regent. This propensity for critique often saw him in conflict with the establishment, but it also earned him a reputation as a champion of the oppressed and a critic of religious and political dogma, including the Atheistic dogmatism of the French Revolution.

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