His dark eyes dropped to where my hand rested on Rosethorn’s pommel. Only the flowery hilt was exposed, the rest of the weapon remained hidden within the folds of my cloak. His eyes flashed and then he shrugged as if in disinterest.
"Ah, but how rude it is to talk only of one's self when in the company of a stranger as fascinating as you, boatman. You must tell me what it is that brings you to our Tinsel Forest, and without even your scythe to defend yourself."
"You know me to be a ferryman," I said, pushing the circlet up and over my forehead. "How?"
"Why, by taking one look at you, that’s how! You've no mask, that much is true, nor have you a scythe, as I’ve said … you’ve the cloak, all right, but that can be purchased at even the lowliest of costume shops; I’ve one just like it in my wagon here, in fact. No, this is something in the face itself. It’s an aura." He paused, appraising me coldly. "You’ve the heart of a ferryman."
After a moment I replied, "I knew a woman once who said the very opposite."
"A woman, eh? She must have feared you very much."Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington. He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer's non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood's "The Willows."