Post-glacial: The Poetry of Robert Kroetsch
About this ebook
Kroetsch’s poetry evolved from short lyric poetry in the 1960s to postmodern long poems in the 1970s and 80s. Kroetsch’s work in the 1990s and 2000s was marked by the production of experimental chapbooks. Yet it is in the 2000s that Kroetsch’s celebrated The Hornbooks of Rita K and his final collection, Too Bad, were published. Post-glacial presents the material in a thematic arc that follows daily, seasonal, and biographical topics. The collection moves from moods of morning, spring, and youth to shades of darkness, winter, and mourning.
In the introduction, Eso charts Kroetsch’s early attempts at poetry in his teenage and undergraduate years. Eso takes the title Post-glacial from the poem “Lonesome Writer Diptych” and proposes the term as an alternative to “postmodernism,” a term often used by critics to describe Kroetsch’s work. Post-glacial emphasizes the poet’s interest in landscape, ecology, history, the presence of absence, and the endurance of a living past.
About the author
Robert Kroetsch was born in 1927 to the village of Heisler, in central Alberta. He taught at SUNY Binghamton, where he co-founded the journal boundary 2, and at the University of Manitoba. Kroetsch developed a significant reputation as an early adopter of postmodernism through his poetry, fiction, and critical essays.
David Eso is a PhD candidate at the University of Victoria, and he serves on the Malahat Review poetry board. His writings on Robert Kroetsch include “Incendiary Landscape,” “Loving Strife,” and “From Friction, Heat.” He is the co-editor, with Jeanette Lynes, of Where the Nights are Twice as Long, an anthology of poetry and correspondence.
Aritha van Herk is a professor at the University of Calgary, where she teaches Creative Writing, Canadian Literature and Contemporary Narrative.
