Opening this volume is a conversation between David Johnston and Lawrence Venuti in which they explore a broad range of topics that bear on the translation of theatrical texts for performance. The chapters that follow are grouped into three main parts.
Finally, in the short play Noli me tangere, written especially for this volume, Juan Mayorga reflects on theatre as the art of distance and on the mysteriousness of translation as the art of negotiating that distance.
Thinking about and practicing translation as “writing forward” underscores its perpetual provisionality and hermeneutic openness; its ability to surprise and stimulate but also remind and reassure. By enriching our understanding of translation, performance, and creativity, this volume will no doubt inspire further explorations into their fascinating complexities. Useful and important reading for advanced students and researchers of literature, theatre, culture, and translation.
Susan Bassnett is a Professor of Comparative Literature at the University of Glasgow. She has published widely on aspects of translation, and her ground-breaking book Translation Studies is used across the world. She is an elected Fellow of the Royal Society of Literature, the Institute of Linguists, the Academia Europaea, and is President of the British Comparative Literature Association.
Piotr Blumczynski is a Professor of Translation and Intercultural Studies, and Director of the Centre for Translation and Interpreting at Queen’s University Belfast. He is the author of Ubiquitous Translation (2016) and Experiencing Translationality (2023), and co-editor of Translating Values (2016) and The Languages of COVID-19 (2022). He is the Editor-in-chief of the journal Translation Studies.