Contributors use a range of approaches to analyze the political, aesthetic, and narrative tensions in these works between self and other, memory and history, individual and collective. An original contribution to the study of auto/biography, alternative comics, and Canadian print culture, Canadian Graphic proposes new ways of reading the intersection of comics and auto/ biography both within and across national boundaries.
Candida Rifkind is an associate professor in the Department of English, University of Winnipeg. She published Comrades and Critics: Women, Literature, and the Left in 1930s Canada (2009) and has chapters on graphic life narratives in Material Cultures in Canada (WLU Press, 2015), Canadian Literature and Cultural Memory (2014), and the journals Biography, International Journal of Comic Art, and Canadian Review of American Studies.
Linda Warley specializes in Canadian life writing, including texts by First Nations and Métis authors. She has a recent chapter on John Gallant and Seth’s Bannock, Beans and Black Tea in Canadian Literature and Cultural Memory (2014). She is co-editor, with Marlene Kadar,, Jeanne Perreault, and Susanna Egan of Tracing the Autobiographical (WLU Press, 2005) and, with Jeanne Perreault and Marlene Kadar, of Photographs, Histories, and Meanings (2009).