The Man with Gray Glasses

· The Collected Works of Turgenev Book 16 · Marchen
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A short reminiscence originally part of Turgenev’s Literary and Life Memoirs. Set in Paris during the revolution of 1848, the piece recalls an encounter with a peculiar stranger. The narrator (Turgenev himself) is sitting at a café by the Palais-Royal when a tall, gaunt man wearing shabby clothes and gray-tinted spectacles asks to share his table. This “man with gray glasses” collapses wearily into the chair, adjusts his old top-hat, orders coffee, and pointedly refuses a proffered newspaper with a disdainful shrug. He twice mutters bitterly, “What a cursed time!” about the turbulent days of February 1848. Turgenev’s sketch paints the man as a symbol of the disillusioned veteran of the Napoleonic era (the text hints at veterans of 1814–15 asking about the Palais-Royal’s fate). The reminiscence ends without the man’s name – he remains an enigmatic figure. The Man with Gray Glasses (Russian: «Человек в серых очках») thus serves as a vignette of the revolutionary era: through the eyes of an unknown old-timer in gray spectacles, Turgenev conveys the exhaustion and cynicism that can haunt times of upheaval.

The character of the Man in Gray Glasses functions as a cipher through which Turgenev explores themes of invisibility and detachment. The title character's gray glasses symbolize the emotional and social barriers that prevent true human connection. This character embodies a certain kind of modern alienation, someone who moves through life without ever fully engaging with the world around him, seeing everything through a muted, distorted lens. The man's emotional detachment and moral ambiguity reflect the growing existential concerns that preoccupied Turgenev toward the end of his life.

This late work also exemplifies Turgenev's subtle but incisive critique of Russian society. Through the detached, almost passive perspective of the man with the gray glasses, Turgenev portrays a society that is itself becoming increasingly detached and indifferent, caught between tradition and the isolating tendencies of the modern world. This story, like many of Turgenev's later works, demonstrates his growing preoccupation with the psychological and social implications of modernity, and marks a poignant reflection on the cost of progress and the alienation it often brings.

This critical reader's edition presents a modern translation of the original manuscript, crafted to help the armchair philosopher engage deeply with Turgenev's works through clean, contemporary language and simplified sentence structures that clarify his complex ideas. Supplementary material enriches the text with autobiographical, historical, and linguistic context, including an afterword by the translator on Turgenev’s history, impact, and intellectual legacy, an index of the philosophical concepts he employs—emphasizing Realism and Nihilism—a comprehensive chronological list of his published writings, and a detailed timeline of his life, highlighting the personal relationships that shaped his philosophy (focusing on Dostoevsky, Tolstoy and Gogol).

About the author

A Russian novelist, poet, and playwright, and personal friend of Gogold, Dostoevsky and Tolstoy, Turgenev was a key figure in the Russian literary realism movement. His novel "Fathers and Sons" is notable for introducing the character type of 'nihilist' and for its portrayal of the generational schism in Russian society. Turgenev's writings significantly influenced the development of Russian literature and also had a substantial impact on readers in Western Europe.

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