Egyptian Motherload is a wild ride through American popular music of the 20th century, from Jazz to Blues, from Psychedelic Rock to Funk and beyond, following The Prophet’s life and transformations—and all the people: family, friends, bandmates, and enemies he changes along the way—on the strangest musical journey of all.
David Sandner is a member of SFWA and the HWA. His work has appeared in Asimov’s, Weird Tales, Realms of Fantasy, Pulphouse, Mythic Delirium, and anthologies Baseball Fantastic, The Mammoth Book of Black Magic, and Tails of Wonder and Imagination. He is the author of His Unburned Heart, The Afterlife of Frankenstein, The Fantastic Sublime, Mythopoeic Award-nominated Critical Discourses of the Fantastic, 1712-1831, and editor of Fantastic Literature: A Critical Reader, The Treasury of the Fantastic (with Jacob Weisman), and Philip K. Dick, Here and Now. He is a Professor of Romanticism and Popular Literature at California State University, Fullerton.
Jacob Weisman is the publisher at Tachyon Publications, which he founded in 1995. He is a World Fantasy Award winner for the anthology The New Voices of Fantasy, which he co-edited with Peter S. Beagle, and is the series editor of Tachyon’s critically acclaimed novella line, including the Hugo Award–winning The Emperor’s Soul, by Brandon Sanderson, and the Nebula and Shirley Jackson award–winning We Are All Completely Fine, by Daryl Gregory. His writing has appeared in The Nation, Realms of Fantasy, The Louisville Courier-Journal, The Seattle Weekly, and The Cooper Point Journal.